Book Cover Illustrations
Steve C. Eston
'In my opinion, world-building is one of the most enjoyable parts of writing. It is often associated with the fantasy genre, but it really applies to any book.'
Steve C. Eston is an award-winning author celebrated for his contributions to both fantasy and science fiction literature. His passion for crafting intricate worlds and compelling narratives is evident in his diverse body of work, which includes titles such as "The Stranger of Ul Darak," "Deficiency," and "The Conclave." Eston's storytelling is characterized by detailed environments and complex, memorable characters, often exploring themes like family, friendship, loyalty, and equality.
Growing up in the Acadian Peninsula of New Brunswick, Canada, Eston was drawn to the fantastical from a young age, penning his first illustrated short story at around ten. His early exposure to Advanced Dungeons & Dragons and the Dragonlance series further fueled his imagination, leading him to create his own imaginary worlds. After a period of writing primarily in French, Eston transitioned to English, encouraged by his wife, Leigh, who believed in his talent and helped him establish a dedicated writing space. Now residing in Fredericton with his family, Eston continues to write part-time, immersing readers in stories that blend elements of epic fantasy, science fiction, and other genres.
Find out more here: S.C. Eston
The Interview
Why did you choose Tom Edwards Design to create your cover?
When I started looking into creating a cover for my first book, The Burden of the Protector, I had little experience in the domain. After some research, I decided to look for original art, a completely new piece to represent my book. I was hoping to find someone talented, but also willing to answer my questions, and guide me through the process of creating the cover. I reached out to many artists, exploring a wide range of styles. A few stood out, including Tom Edwards. I remember that most of his art, at the time, was aimed toward science fiction. I finally decided to contact him anyway and share with him what I had in mind. I expected him to reject my submission, because it was a fantasy cover and quite specific in what I was looking for (I had a clear image of the layout and elements I wanted on the cover). To my surprise, Tom answered quickly, accepted the project, and provided a clear road map on his process and how we would proceed. I was and still am impressed with how he took my initial ideas, and turned them into an amazing cover.
What set Tom apart from other book cover designers you’ve seen or worked with?
On top of his talent, what set Tom apart are his professionalism and generosity. He’s reliable, yet flexible. He puts an extra effort to make certain that his clients are happy and he is generous and patient with his time, always willing to answer questions. I’ve now been working with Tom for more than 8 years and I hope that we will continue working together on the many projects I have in mind for the future. One of the things I was hoping to put in place when I decided to self-publish my books was long lasting relationships with partners and other authors. I feel that I have that type of partnership with Tom, and can always count on him when it comes to illustrations and covers.
What was the best part of working with Tom to design your cover?
The best thing about working with Tom is how easy it is. Although we are on different sides of the Atlantic, communication has always been painless. As mentioned previously, Tom is very professional, but also respectful. We can have back and forth until we agree on the best way forward. He also replies quickly, and never leave you hanging. He’s extremely talented at what he does and his ability to transform my ideas into a detailed cover is unparalleled.
What initially sparked your interest in writing, and how did you discover your passion for storytelling?
I started writing, or at least creating stories, at a very early age. Neither of my parents were writers, so I’m not sure where my interest came from, other than possibly books and TV shows. I still have some of the books I created as a young boy. Some were about a tiger-masked ninja fighting some monsters. I even created the illustrations for these stories.
That said, I didn’t discover my passion for writing until much later in life. For some reasons, I never believed I could become a writer until my wife, Leigh, encouraged me to give it a try. It quickly became evident to me that writing was something I enjoyed greatly. I’ve always loved to immerse myself in stories, and with writing, not only could I adventure in mystical and new worlds, I now had a say in what could happen. Although I enjoy the process of writing from start to finish, my favorite part remains the sense of wonder I feel as I experience the story and live its events with the characters.
Can you describe your typical writing routine? Do you have any specific rituals or habits that help you get into the creative zone?
I wish I had a routine! Before having children, I would get up early in the morning and write between 6 and 7. It is a good time of the day, when most of the world is asleep and standing still. I would put headsets on, select music that aligned with the story I was writing, and write for a good 30 to 45 minutes, sometimes more.
Now that we have four young children, that routine doesn’t work so well anymore. Actually, having any kind of routine is a challenge. So, I try to write whenever I can. Over the past several years, I’ve had to adapt greatly to find that time to write. More recently, I started writing late at night, once everyone is in bed and asleep. It works, although I find that my mind is sometimes tired that late in the day.
Music remains a great way for me to shut out the world and immerse myself in the story I’m writing. I usually select instrumental music, like movie or video game soundtracks, since lyrics tend to distract me.
What obstacles have you encountered in your writing journey, and how have you overcome them?
The first challenge I faced when I started writing more seriously was the fact that I didn’t know anything, or very little, about writing or publishing. I knew how to put a sentence together, and I had a decent vocabulary, but I had very little knowledge of scenes, chapters, points of view, hooks, building suspense, pacing a story, building a plot, or character arcs. I started researching and reading about it. One of the first books I read was ‘On Writing: A Memoir of the Craft’ by Stephen King. This might have been a stoke of luck, because it contained some of the best tips I’ve read, even to this day. More particularly, he speaks about the importance of learning the craft of writing, and the rules and guidelines of building a strong story. He basically confirmed that I was on the right track in wanting to learn more about how to write.
This encouraged me to continue learning and reading about writing, which I did continuously over the years and continue to do. I love writing and I also love the craft of writing.
My newest biggest obstacle is finding the time to write. With working a full time job and being the father of four young children, it’s a challenge I have yet to solve.
You mention that you prefer not to limit yourself to fantasy writing alone; what other genres do you gravitate towards in your writing?
My writing path, as it relates to genres, is quite similar to the path I followed as a reader. Growing up, I almost solely read in the fantasy genre. It is still the genre that I gravitate toward the most when selecting a new book or the section I go to first when visiting a bookstore. In my twenties, I branched out into science fiction, and nowadays, I read a little bit of everything, enjoying biographies, and a wide array of fiction genres.
One of the things that I like the most about fantasy and science fiction is that although they have elements that make them standout from other genres, they can also easily include all other genres. For example, my first published novella, The Burden of the Protector, is a fantasy with dystopian and philosophical elements. My second book, The Conclave is a fantasy and a mystery. My third book, Deficiency, is a science fiction, but also a thriller and mystery, with dystopian elements. My upcoming series, ‘The Baneseeker Chronicles’, is a combination of dark fantasy, horror, and classic high and epic fantasy elements, while touching on more serious themes like acceptance, friendships, depression, and addiction.
How do you approach world-building in your novels?
In my opinion, world-building is one of the most enjoyable parts of writing. It is often associated with the fantasy genre, but it really applies to any book. Even a story set in today’s world requires the writer to develop a setting, selecting the places, characters and rules he or she will follow and present in the book.
In my case, I usually learn about the world at the time of writing, with the characters as they progress in their own life. It is a time consuming approach, but it is also much more fun. It allows me to enjoy the mystery of the world, at least for a while. It is more time consuming, because it means I have to come back, and review the story once I know more about the world, to make certain everything aligns and that I’m not breaking any rules or going against any history detail. From what I understand, many authors write a long first draft and then have to come back, and cut it down, remove the fat. I work in the opposite direction. My initial drafts are short, often with little background details or without a conclusion. With every revision, I add details, background information, and layers to the story.
The only exception to this approach are the stories taking place in the world of Arvelas, like my novella The Conclave and my upcoming dark fantasy series The Baneseeker Chronicles. This is because I first created the world of Arvelas as a teenager, while playing and hosting tabletop role-playing games. It is a world I’ve travelled to a lot over the years and that I know very well. There is still a world-building element to any story I write in Arvelas, but it has much more background information to draw from than the settings of my other stories.
What role do maps play in your world-building process?
I love maps, and they play a huge role in each story I write. They help immensely in defining the world, and any given location. They also help better understand a city or village, as they often present the resources available in the surrounding areas. Finally, a good map can also determine or help determine the actions or events that will take place.
Having a map before starting to write is a big help, but more often than not, I jump into the writing, and create the map later. This means that I have to come back and make adjustments or corrections in the story, because it’s not always possible to produce a map that aligns with everything in the text. I’m no expert in geography, but there are basic rules that any map needs to follow.
That means that with each story I write, I draw several maps on the side. Some are of villages or cities, some of countries, some of the whole world, and some of a building or a clearing in the woods. For example, for my latest epic fantasy book, The Stranger of Ul Darak, I have a map of the village of Valdur with its houses and buildings, another of Valdur and its surrounding areas, one of the building dedicated to the god of ice, one of the main character’s house, including its first and second floor. I have a world map, with all the countries, and the Final Horizon, the barrier protecting the world. I also have one of Tar’Halia, which is where the Sentinels, powerful wizards in this story, live and study. Many of these maps made it into the book, because I think they can provide value to the reader as well.
Before I go, I’d like to take a moment to thank Tom Edwards for this interview and for all the great work he’s done for me so far. I wouldn’t be where I’m at in my writing journey without people like Tom.
Steve C. Eston’s passion for storytelling shines through in his richly detailed worlds and character-driven narratives. With a deep love for fantasy and science fiction, he continues to craft stories that explore themes of loyalty, friendship, and adventure.
As he looks ahead, Eston remains committed to writing immersive fiction that resonates with readers. Whether through epic fantasy or thought-provoking sci-fi, his work is a testament to the power of imagination and the enduring appeal of great storytelling.
If you'd like to learn a little bit more about my own process, Steve interviewed me back in 2023! You can find the interview here
Pricing
Discover transparent and flexible pricing for my illustrations that aligns with your creative vision and budget. Whether you're seeking captivating character designs, immersive concept art, or striking logos, find a pricing structure that suits your unique needs.
Professional book covers that captivate your audience don’t have to be complicated. At Tom Edwards Design, I offer clear and transparent pricing for every author’s needs. Whether you’re launching an ebook, preparing a stunning full cover for print, or looking for ultra-wide designs to stand out, my packages ensure premium quality tailored to your vision. Explore the options below and let’s create something extraordinary for your story.
Ebook Cover Design – £800
High-quality, custom ebook cover design tailored for Amazon, Apple Books, Kobo, and more.
Includes:
- Custom typography and design.
- High-resolution JPG/PNG files.
- Optimized for online platforms.
- 2k and 4k Art without text for marketing, prints, and wallpapers
Full Cover Design (Print & Ebook) – £1,000
A complete front, back, and spine design for print and digital use.
Includes:
- Custom typography and design.
- Print-ready PDF (with bleed).
- Ebook cover version included.
- 2k and 4k Art without text for marketing, prints, and wallpapers
Ultra-Wide Design – £1,200
Perfect for panoramic covers, box sets, banners, or promotional materials.
Includes:
- Everything from Ebook and Full Cover options.
- Ultra-wide composition for enhanced impact.
- Flexible cropping options for various formats.
What’s Included with Every Package
- Initial consultation to understand your book and vision.
- Licensing for commercial use.
- Fast and responsive communication throughout the process.
- NO AI is used in my creation process. You'll receive a completely original and copyrightable cover!
Add-On Options
- Rush delivery (7-day turnaround): Add £200.
- Additional revisions after completion: Price will vary depending on each revision.
- Audiobook conversion: £50
- Hardback PDF: £25
- Extra Paperback formats (Ingram Spark, Lulu, etc) - £10 each
- 3D cover render: £35
- Social media banner (Facebook, X, Instagram): £15 per banner
- Art prints: Price on request
Special Offers for Trilogies and Series
Creating a cohesive look for a trilogy or a longer series is key to building your brand and drawing in loyal readers. If you’re working on a multi-book project, I’d be happy to work out a tailored offer that ensures consistency across all covers while giving you excellent value.
Whether it’s a trilogy or an epic saga, we can discuss a package that fits your needs and brings your series to life. Get in touch to explore your options and start planning your next captivating set of covers!
Author Offers
If you’re a new author or a published author working with me for the first time, be sure to check out my Book Cover Offers page for some great discounts!
Your book deserves a cover that captures its essence and draws readers in. With years of experience in creating eye-catching designs for authors worldwide, I’m here to help bring your vision to life. Ready to get started? Reach out today, and let’s create something unforgettable together.
Daniel Arenson
'I think stories of good vs. evil resonate with people through the generations. They might sometimes go out of style but they’ll always keep making comebacks'
Daniel Arenson is a bookworm, proud geek, and USA Today bestselling author of fantasy and science fiction. His novels have sold over a million copies. The Huffington Post has called his writing "full of soul." He's written over forty novels, most of them in five series.
Arenson gained widespread recognition with his "Song of Dragons" trilogy, which captivated readers with its epic tales of war, magic, and dragonkind. His "Earthrise" series further cemented his reputation, blending military sci-fi with rich character development and intricate plotting. Over the years, Arenson has published numerous bestselling series, including "Requiem" and "Moth," each known for their immersive worlds and compelling narratives.
The Interview
Why did you choose Tom Edwards Design to create your cover?
I first hired Tom in 2015 to create the cover for my first science fiction novel, Alien Hunters. A few months prior, Tom painted the cover for Nick Webb’s bestselling novel Constitution. The cover for Constitution really impressed me (and all who saw it). At the time, I had already written several fantasy novels, but I was new to science fiction. I contacted Tom and was very lucky that he agreed to create the cover for Alien Hunters. Since then, I’ve written 44 science fiction novels, and Tom created the covers for every one.
What was the best part of working with Tom to design your cover?
Tom is a real pro. He always communicates promptly, works to understand what I want, shows me drafts, updates me on the progress, and will make any necessary changed until the work is perfect. I think he creates some of the best covers in the industry.
You’ve written over 80 novels! With so many different themes, characters and settings, how do you describe your writing career?
I've written 87 novels. 89 if you include two unpublished books. How would I describe my writing career? I’m an indie author who loves fantasy and science fiction and writes a lot. That’s about all there is to it. I was five or six when I read my first book by myself. I was thirteen when I started writing my own stories. I just kept going with it, and it’s an honor to share my stories with other people. For me, it’s all about the joy of storytelling and literature.
Are there any books you’ve written that you’ve never published, or ideas for novels you’ve shelved?
I have two very old, very unpublished books. I wrote one when I was 20 (back in the year 2000), another when I was 23. They are my second and third novels. This was from before the days of Kindles and indie publishing. My first novel, which I wrote when I was 19, was published by a small press. But I couldn’t find a publisher to take on my second and third books, so they never saw the light of day. At some point, Kindles and Amazon became popular, and I began indie publishing. Those old unpublished novels are probably still sitting somewhere on a dusty hard drive somewhere.
In the Moth series and others, you share maps, music, artwork and an encyclopedia specific for each world you create. This is quite unusual so I’m interested in hearing how these different facets come about and the importance of them in your broader writing.
One reason I love fantasy is the worldbuilding. Universes like Middle Earth, Realm of the Elderlings, The Cosmere—they all have such lush, beautiful worldbuilding. Moth is a much smaller universe (there are only six novels in the series), but I wanted to delve into the worldbuilding and make the experience immersive.
Are there particular real-world mythologies or histories that influence your fantasy worlds?
I'm often inspired by ancient Semitic mythology and history. You can see that most clearly in my series Kingdoms of Sand, which is set in a fictionalized ancient Middle East. But there are also many influences of Hebrew mythology in my latest series, A Prayer for Earthrise. One exception is my series Soldiers of Earthrise, which was influenced by the Philippine–American War. Many elements in that series were inspired by Filipino culture and folklore.
How do you define the difference between sci-fi and fantasy?
I don’t think you can come up with one definition for each genre that captures every work perfectly. The two genres are related. Star Trek is clearly science fiction. Lord of the Rings is clearly fantasy. Star Wars? Not so clear. It includes elements from science fiction, obviously, such as starships. But it also includes traditional fantasy tropes, such as knights, princesses, wizards, monsters, and magic. I think the two genres often meet and intersect.
Are there particular themes or messages you like to explore in your writing?
No, not really. I don’t intentionally set out to include themes or messages, though maybe some themes – loyalty, honor, the value of friendship – naturally make their way into my works.
How do you keep track of all the details in your world-building to ensure consistency throughout your series?
Spreadsheets. Lots of spreadsheets that keep track of characters, locations, and alien species. And Word documents that include timelines and details on weapons, starships, organizations, and so on. I still end up forgetting a lot, and sometimes I must go back over old novels to remember.
Have there been any unexpected developments in your stories or characters that even surprised you as the author?
All the time. My characters tend to lead the way. I usually have a general pathway for them to follow, but they take detours on their own. Many big things that happened to my characters – deaths, weddings, characters who get together, who divorce, who have children, who lose limbs, who discover new powers – those were never planned in advance.
The fantasy genre often deals with good vs. evil. How do you navigate these themes in your work?
In this century, there’s been a trend toward morally ambiguous characters and conflicts that don’t necessarily involve good vs. evil. Examples are works like A Song of Ice and Fire or The Stormlight Archive, where it’s not always clear which side is “good” and which is “evil.” Those works can offer complexity and, arguably, a more realistic view of how our own world works. Personally, I think that classic good vs. evil – which can sometimes be seen as naïve or simplistic -- has an important place in our genre. Through good vs. evil stories, we can explore the nature of morality and sacrifice. Tolkien understood this. I think stories of good vs. evil resonate with people through the generations. They might sometimes go out of style but they’ll always keep making comebacks. As humans living in a world full of evil, we crave stories that can show us the heroism of good people.
Can you provide any insights into your upcoming projects? Are there specific themes or ideas that you're excited to explore in your future works?
I'm currently working on the last two novels in A Prayer for Earthrise. After that, I’ll be writing a series titled Freedom Fleet, a spinoff to the Starship Freedom series. You can learn all about my works on my website: DanielArenson.com
What initially sparked your interest in writing, and how did you discover your passion for storytelling?
I was born in Israel in 1980. Back then and there, we only had one TV channel, which broadcast in black and white, and only for a few hours in the afternoon. There wasn’t much to watch. And I didn’t yet have a computer or game system. And I was no good at sports. But I did have a local library. So much of my childhood was spent reading. I kept returning to the library for more. In 1991, I stumbled across a book called Dragons of Winter’s Night. It was the second novel in Dragonlance Chronicles. I loved the cover and picked up the book, not even realizing it’s a sequel, and read it. I was blown away. It was my first time reading fantasy. Since then, fantasy and science fiction became my favorite genres, and I’d grab everything I could find from those genres. I started writing my own stories when I was thirteen. When I was fourteen, I wrote a novella – it was about 50 pages long – about a post-apocalyptic world, in which the last human survivors battle against robots (the robots were basically ripped off from the Terminator franchise). When I was fifteen, I began to write a fantasy novel. I reached about 400 pages, then ran out of steam and stopped. I was nineteen when I wrote my first “real” novel, titled Firefly Island. Now I’m 44 and still going.
Can you share a bit about your writing process? Do you outline meticulously or let the story unfold as you write?
I create basic outlines divided into the main acts, with bullet points for the big plot events I want to happen in each act. I want to have some roadmap, but I leave enough room for the writing to flow and the characters to have some control.
How do you approach creating and developing characters? Are they inspired by real people, purely imagined, or a mix of both?
For me, creating the characters is the most important part. That’s my top priority. Before plot, before worldbuilding, before anything else—I want to make sure I get the characters right. I think the greatest stories, the ones that stay with you forever, have great characters. Years later, we might not remember the plot of Lord of the Rings, but we’ll remember Gandalf. We might not remember what happened in Dragonlance, but we’ll remember Raistlin and Caramon. I want to create characters that resonate like that. I don’t always succeed. But it’s something that’s always on my mind.
How do you feel your writing has evolved over time? Are there specific elements or themes that you find yourself consistently drawn to, or have you noticed a significant shift in your style?
I think my work has gotten less “dark.” In the early 2010s, I was inspired by grimdark works, for example A Game of Thrones. And I tried to write grim, dark fantasy, full of violence and despair (though always with some hope shining through). About fifteen years ago, I went through a phase where I wanted my fantasy works – trilogies like Dragonlore and The Dragon War – to basically feel like a death metal album. Just intense and brutal and unrelenting. I think my current science fiction works, such as A Prayer for Earthrise, are less grim. While they still depict loss and violence, they tend to include more humor and moments of levity.
You’ve got a very generous section on your website for advice for other authors. What would you say is the most important of these?
Love reading and love books. Writing is a career. But books are also a hobby and a passion. Understand the business of writing—how to market, how to make money. But never forget that writing is about the love of books.
"Thank you for interviewing me, Tom. And thank you for all the great covers!"
You can download three of Daniel's books for FREE on his website: DanielArenson.com
*The title and text design for Daniel's covers was done by Rebekah Haskell of Vivid Design.
Science Fiction
Dive into the cosmos with my extraordinary sci-fi illustrations. Immerse yourself in futuristic landscapes, otherworldly beings, and cutting-edge technology. Elevate your imagination with visually stunning sci-fi art that transcends the boundaries of the ordinary.
Premade Covers
Instantly elevate your book's visual appeal with my collection of premade book cover illustrations. Each design is a masterpiece waiting to complement your story, offering a captivating first impression that entices readers to delve into the magic within the pages.
SERIES XIII - STARFALL
With 350 premade covers sold to date across 12 preious series, my science fiction premade covers are second to none.
If you have a tight marketing budget or need to release your next book quickly, you've come to the right place.
Explore 22 original covers that will transport you to new worlds, all at an unbeatable price.
Starfall covers have all been designed in Ultra-wide format. This format gives you added flexibility in layout, which is ideal for adapting your cover for various media and promotional materials. It just looks great too! With these extra wide dimensions, each cover stands out beautifully, and provides you with the creative freedom to showcase your book in the most captivating way possible.
Every cover is crafted with attention to detail and designed to be as unique as your story, ensuring that it will catch the eye of your readers and look fantastic in both digital and print formats. I'm confident these covers will bring out the essence of your work and give it the professional finish it deserves.
Check out the premade cover galleries below, which feature three categories: Core, Elite, and Prime!
- Core covers are the most basic, showcasing a detailed ship in space.
- Elite covers depict multiple ships in 1v1 battles or friendly engagements with stations and other ships.
- Prime covers are the most detailed, featuring epic, action-packed space battles, giant fleets, and high-detail illustrations.
*COVER PRICES*
(All prices shown in GBP):
- Core: £350
- Elite: £450
- Prime: £550
The price includes paperback formatting, ebook cover, 2K, 4K, and 6K artwork without text, and custom text for the front, back, and spine. If you prefer to use your own text and format the cover yourself, that's perfectly fine too.
*EXTRAS*
I offer an extras package that can be purchased for each premade cover. This includes:
- Hardback cover
- Social Media Banners x2
- Audiobook cover
- 3D cover render
All of these extras for a set price of £40! This can be added at any time after purchase too.
HOW TO ORDER
If you're interested in purchasing a cover, please email me at tomedwardsconcepts@gmail.com or tom@tomedwardsdesign.com. Include the name of the cover you'd like (e.g., Premade cover 1) and mention if you want custom text. Also, provide a second or third choice cover in case your first choice is unavailable.
All covers require a contractual agreement, and invoices are issued in British Pound Sterling.
Covers are sold on a first-come, first-served basis. If your chosen cover is available, it will be reserved for 48 hours after your initial email request. During this period, you'll receive a contract and invoice, which must be signed and returned, and payment must be made. If this doesn't happen within the 48-hour window, the cover will be released back for sale.
Covers without custom text will be dispatched within 72 hours of receiving payment.
For covers with custom text, delivery time varies as we'll collaborate to design a suitable font and style. This process typically takes 3-7 working days.
Payment can be made via PayPal or direct bank transfer (including services like Wise). If you choose PayPal, a 5% fee will be added to cover their charges.
Please specify your preferred payment method in your initial email. I hope you find the perfect cover for your sci-fi novel!
Concept Art
Unveil the unseen realms of imagination through my concept art illustrations. Each stroke of creativity breathes life into untold worlds, characters, and possibilities, offering a glimpse into the boundless creativity behind the scenes. Explore the genesis of ideas with my captivating concept art, where imagination knows no limits.
Book Cover Offers
Unlock the visual allure of your narrative with my exclusive book cover offers, blending artistry and storytelling seamlessly. From custom designs to captivating premade covers, my offers ensure your book stands out, leaving a lasting impression on readers from the very first glance
New Partnership - £600
Building strong partnerships with authors is something I deeply value. Throughout my extensive career, I’ve had the privilege of collaborating with countless authors—some of whom have entrusted me to design over 100 book covers for their works.
As an opportunity to introduce you to my thorough creative process, this offer allows you to collaborate with me on the development of an entirely bespoke book cover, with a predefined, transparent pricing structure.
This comprehensive package contains the e-book cover, audiobook cover, paperback formatting, along with high-resolution 4k artwork and 3D cover render.
Saving over £400! (On Paperback Package + Extras)
New Author - £400
As a new author, securing the publication for your first work can be difficult. One of the more difficult aspects is finding a great artist for your book cover who can offer both quality and value for money. With this offer, you'll receive an entirely bespoke, fully painted custom cover.
This unique proposition ensures that you receive an all-encompassing, premium cover creation experience, marked by uncompromising quality, all at a remarkably competitive price point.
This comprehensive package contains the e-book cover, paperback formatting, along with high-resolution 4k artwork.
Saving over £600! (On Paperback Package + Extras)
Author Referral - £150 Voucher
As a valued existing client, whenever you refer a new author to me, you'll receive £150 off your next cover, demonstrating my appreciation for your continued partnership and support. (The new author must purchase a new cover before the voucher is sent).
This offer also coincides with the ‘New Author’ or ‘New Partnership’ offers, meaning everyone saves!
Important Notice
All images copyright Tom Edwards, please see my Copyright Notice for more details.
No AI is used in my creation process 