Tom Edwards
Daniel Arenson
'I think stories of good vs. evil resonate with people through the generations. They might sometimes go out of style but they’ll always keep making comebacks'
Daniel Arenson is a bookworm, proud geek, and USA Today bestselling author of fantasy and science fiction. His novels have sold over a million copies. The Huffington Post has called his writing "full of soul." He's written over forty novels, most of them in five series.
Arenson gained widespread recognition with his "Song of Dragons" trilogy, which captivated readers with its epic tales of war, magic, and dragonkind. His "Earthrise" series further cemented his reputation, blending military sci-fi with rich character development and intricate plotting. Over the years, Arenson has published numerous bestselling series, including "Requiem" and "Moth," each known for their immersive worlds and compelling narratives.
The Interview
Why did you choose Tom Edwards Design to create your cover?
I first hired Tom in 2015 to create the cover for my first science fiction novel, Alien Hunters. A few months prior, Tom painted the cover for Nick Webb’s bestselling novel Constitution. The cover for Constitution really impressed me (and all who saw it). At the time, I had already written several fantasy novels, but I was new to science fiction. I contacted Tom and was very lucky that he agreed to create the cover for Alien Hunters. Since then, I’ve written 44 science fiction novels, and Tom created the covers for every one.
What was the best part of working with Tom to design your cover?
Tom is a real pro. He always communicates promptly, works to understand what I want, shows me drafts, updates me on the progress, and will make any necessary changed until the work is perfect. I think he creates some of the best covers in the industry.
You’ve written over 80 novels! With so many different themes, characters and settings, how do you describe your writing career?
I've written 87 novels. 89 if you include two unpublished books. How would I describe my writing career? I’m an indie author who loves fantasy and science fiction and writes a lot. That’s about all there is to it. I was five or six when I read my first book by myself. I was thirteen when I started writing my own stories. I just kept going with it, and it’s an honor to share my stories with other people. For me, it’s all about the joy of storytelling and literature.
Are there any books you’ve written that you’ve never published, or ideas for novels you’ve shelved?
I have two very old, very unpublished books. I wrote one when I was 20 (back in the year 2000), another when I was 23. They are my second and third novels. This was from before the days of Kindles and indie publishing. My first novel, which I wrote when I was 19, was published by a small press. But I couldn’t find a publisher to take on my second and third books, so they never saw the light of day. At some point, Kindles and Amazon became popular, and I began indie publishing. Those old unpublished novels are probably still sitting somewhere on a dusty hard drive somewhere.
In the Moth series and others, you share maps, music, artwork and an encyclopedia specific for each world you create. This is quite unusual so I’m interested in hearing how these different facets come about and the importance of them in your broader writing.
One reason I love fantasy is the worldbuilding. Universes like Middle Earth, Realm of the Elderlings, The Cosmere—they all have such lush, beautiful worldbuilding. Moth is a much smaller universe (there are only six novels in the series), but I wanted to delve into the worldbuilding and make the experience immersive.
Are there particular real-world mythologies or histories that influence your fantasy worlds?
I'm often inspired by ancient Semitic mythology and history. You can see that most clearly in my series Kingdoms of Sand, which is set in a fictionalized ancient Middle East. But there are also many influences of Hebrew mythology in my latest series, A Prayer for Earthrise. One exception is my series Soldiers of Earthrise, which was influenced by the Philippine–American War. Many elements in that series were inspired by Filipino culture and folklore.
How do you define the difference between sci-fi and fantasy?
I don’t think you can come up with one definition for each genre that captures every work perfectly. The two genres are related. Star Trek is clearly science fiction. Lord of the Rings is clearly fantasy. Star Wars? Not so clear. It includes elements from science fiction, obviously, such as starships. But it also includes traditional fantasy tropes, such as knights, princesses, wizards, monsters, and magic. I think the two genres often meet and intersect.
Are there particular themes or messages you like to explore in your writing?
No, not really. I don’t intentionally set out to include themes or messages, though maybe some themes – loyalty, honor, the value of friendship – naturally make their way into my works.
How do you keep track of all the details in your world-building to ensure consistency throughout your series?
Spreadsheets. Lots of spreadsheets that keep track of characters, locations, and alien species. And Word documents that include timelines and details on weapons, starships, organizations, and so on. I still end up forgetting a lot, and sometimes I must go back over old novels to remember.
Have there been any unexpected developments in your stories or characters that even surprised you as the author?
All the time. My characters tend to lead the way. I usually have a general pathway for them to follow, but they take detours on their own. Many big things that happened to my characters – deaths, weddings, characters who get together, who divorce, who have children, who lose limbs, who discover new powers – those were never planned in advance.
The fantasy genre often deals with good vs. evil. How do you navigate these themes in your work?
In this century, there’s been a trend toward morally ambiguous characters and conflicts that don’t necessarily involve good vs. evil. Examples are works like A Song of Ice and Fire or The Stormlight Archive, where it’s not always clear which side is “good” and which is “evil.” Those works can offer complexity and, arguably, a more realistic view of how our own world works. Personally, I think that classic good vs. evil – which can sometimes be seen as naïve or simplistic -- has an important place in our genre. Through good vs. evil stories, we can explore the nature of morality and sacrifice. Tolkien understood this. I think stories of good vs. evil resonate with people through the generations. They might sometimes go out of style but they’ll always keep making comebacks. As humans living in a world full of evil, we crave stories that can show us the heroism of good people.
Can you provide any insights into your upcoming projects? Are there specific themes or ideas that you're excited to explore in your future works?
I'm currently working on the last two novels in A Prayer for Earthrise. After that, I’ll be writing a series titled Freedom Fleet, a spinoff to the Starship Freedom series. You can learn all about my works on my website: DanielArenson.com
What initially sparked your interest in writing, and how did you discover your passion for storytelling?
I was born in Israel in 1980. Back then and there, we only had one TV channel, which broadcast in black and white, and only for a few hours in the afternoon. There wasn’t much to watch. And I didn’t yet have a computer or game system. And I was no good at sports. But I did have a local library. So much of my childhood was spent reading. I kept returning to the library for more. In 1991, I stumbled across a book called Dragons of Winter’s Night. It was the second novel in Dragonlance Chronicles. I loved the cover and picked up the book, not even realizing it’s a sequel, and read it. I was blown away. It was my first time reading fantasy. Since then, fantasy and science fiction became my favorite genres, and I’d grab everything I could find from those genres. I started writing my own stories when I was thirteen. When I was fourteen, I wrote a novella – it was about 50 pages long – about a post-apocalyptic world, in which the last human survivors battle against robots (the robots were basically ripped off from the Terminator franchise). When I was fifteen, I began to write a fantasy novel. I reached about 400 pages, then ran out of steam and stopped. I was nineteen when I wrote my first “real” novel, titled Firefly Island. Now I’m 44 and still going.
Can you share a bit about your writing process? Do you outline meticulously or let the story unfold as you write?
I create basic outlines divided into the main acts, with bullet points for the big plot events I want to happen in each act. I want to have some roadmap, but I leave enough room for the writing to flow and the characters to have some control.
How do you approach creating and developing characters? Are they inspired by real people, purely imagined, or a mix of both?
For me, creating the characters is the most important part. That’s my top priority. Before plot, before worldbuilding, before anything else—I want to make sure I get the characters right. I think the greatest stories, the ones that stay with you forever, have great characters. Years later, we might not remember the plot of Lord of the Rings, but we’ll remember Gandalf. We might not remember what happened in Dragonlance, but we’ll remember Raistlin and Caramon. I want to create characters that resonate like that. I don’t always succeed. But it’s something that’s always on my mind.
How do you feel your writing has evolved over time? Are there specific elements or themes that you find yourself consistently drawn to, or have you noticed a significant shift in your style?
I think my work has gotten less “dark.” In the early 2010s, I was inspired by grimdark works, for example A Game of Thrones. And I tried to write grim, dark fantasy, full of violence and despair (though always with some hope shining through). About fifteen years ago, I went through a phase where I wanted my fantasy works – trilogies like Dragonlore and The Dragon War – to basically feel like a death metal album. Just intense and brutal and unrelenting. I think my current science fiction works, such as A Prayer for Earthrise, are less grim. While they still depict loss and violence, they tend to include more humor and moments of levity.
You’ve got a very generous section on your website for advice for other authors. What would you say is the most important of these?
Love reading and love books. Writing is a career. But books are also a hobby and a passion. Understand the business of writing—how to market, how to make money. But never forget that writing is about the love of books.
"Thank you for interviewing me, Tom. And thank you for all the great covers!"
You can download three of Daniel's books for FREE on his website: DanielArenson.com
*The title and text design for Daniel's covers was done by Rebekah Haskell of Vivid Design.
G J Ogden
'It may not seem so, considering I already have 45+ books in the bag, but I only began my publishing journey in late 2018'
G J Ogden is a sci-fi author who loves to write action-adventure space sci-fi stories with real heart, humor, and drama. He has published over 45 sci-fi books with a combined 13,500+ 5-star ratings, including several Amazon Best-Sellers, and is the winner of the Kindle Storyteller Award 2023.
Visit G J Ogdens site
Click here to check out Forsaken Commander, the winner of the Kindle Storyteller Award 2023!
Click here to check out Master General, Book 6 in The Aternien Wars Series! Out June 24
The Interview
What initially sparked your interest in writing, and how did you discover your passion for storytelling?
From as early as I can remember, I’ve always wanted to tell stories. Star Trek played a big part in this, as I mentioned elsewhere, but I fell in love with alien worlds and epic fantasy settings even before learning about the Starship Enterprise.
I was a kid during the early days of computer gaming (BBC Micro, ZX Spectrum and up) and RPG games really helped to drive my interest in storytelling, along with the wonderful “Fighting Fantasy” novels.
I was also a role-playing nerd and gamemaster (Paranoia and Role Master mainly), which is the perfect outlet for someone who loves to tell stories.
I tried to write my first novel in my early 20s, but I didn’t have the patience or discipline back then. I did eventually finish that book (and series) more than 15 years later. It’s called The Planetsider Trilogy, and it’s still popular today, having held No.1 slots in Dystopian and Post-Apocalyptic Science Fiction on Amazon US, UK, Canada, and Australia. Age and experience have their benefits, I suppose!!
Can you describe your typical writing routine? Do you have any specific rituals or habits that help you get into the creative zone?
I’m extremely organized when it comes to planning and writing. I create detailed notes about the characters and the world they inhabit, and I always have a series arc in mind before I start. That means I have 5-6 books worth of story in my head before I begin.
When it comes to writing, I create a detailed outline first, using a three-act structure. And I mean detailed! I go chapter by chapter and the outline itself usually ends up being 15-20,000 words. I keep trying to trim this down, but never succeed.
The benefit of having a detailed outline is that I can write a chapter a day, every day, when I’m in writing mode. I sometimes take a day off writing (if something else is pressing – marketing work etc.) but generally, I don’t. That means I have a 1st draft done in four weeks. And because of the outline process, it’s usually pretty clean, because I’ve made sure to include all the important elements from the three-act structure.
It can be quite intense, especially at the start of a five or six book series, knowing how much work is ahead, but the routine is important for me.
Why did you choose Tom Edwards Design to create your cover?
I was shopping for covers and cover designers one afternoon, as authors often do, and part of that process (for me) is checking the Copyright pages of books with covers I liked. Tom’s name kept appearing, which led to his website and an awesome list of pre-mades, which were sold out! That was a good sign (though not for me), but by that point, I’d decided I wanted a series of "Tom Edwards" covers, so I bit the bullet and got in touch. That was a great decision.
What set Tom apart from other book cover designers you've worked with?
In a word, it’s quality. I’ve worked with some great cover designers, but Tom’s art style and creativity elevated the books and I think definitely contributed to their success. I’ve even adjusted my written descriptions of some of the characters depicted on the covers to match Tom’s designs because they were so on the money.
How do you engage with your readership? Do you actively seek feedback, and if so, how does it influence your future writing?
I have a bunch of social channels but I’m terrible at posting content and updates. I’m just not a very ‘social media’ sort of person, in general. I have a newsletter, which I’ve curated over many years, and the membership of that is ~7,000 strong. That’s my main method of communicating with readers.
I do encourage feedback and I get a lot of comments, particularly on the adverts I run to promote my books. I engage with everything, even the snarky comments! However, I think it’s important to take these comments with a pinch of salt, and the same goes for reviews. I read the bad reviews and the good (thankfully, most are good!), in case there’s anything I can learn (common mistakes or peeves, for example), but ultimately, it’s my story and my decision. I write what I would want to read.
What advice would you give to aspiring writers who are just starting their journey or facing challenges in their creative pursuits?
It may not seem so, considering I already have 45+ books in the bag, but I only began my publishing journey in late 2018, so I’m still relatively new. I remember finishing my first novel and putting it out there to very little success. I read a bunch of “how to publish” books and marketed it in the best way I knew how back then, but the launch went off with a whimper rather than a bang (or even a fizzle).
I remember being really discouraged by that. All that work and effort and… nothing. I asked myself, what’s the point of carrying on? As a new writer watching their first book vanish into the quagmire that is Amazon, you’ll probably ask yourself the same thing.
My advice is to stick at it. Chalk it up to experience and keep writing and learning. Both are really important. Learn your craft, learn what sells and why (tropes, genres, covers), and learn how to market your books. A lot of authors don’t want to mess with that side of the business, and if that’s you, then go the traditional route instead and find a publisher. Indie publishing means being a writer and a marketer. It sucks, but to succeed you have to advertise, or be a social media genius. Since I’m not the latter, I have to do the former!
Over time, you’ll build a following. There’s an oft-quoted saying that “nothing sells your last book better than your next book” and I think that’s true. Keep writing good stories, make sure people know about them, and you’ll steadily climb the mountain.
Character Development: What unique challenges do you face when developing characters in a futuristic or otherworldly setting, and how do you ensure that they remain relatable to readers?
For me, good sci-fi is a good story first and foremost. I like to think you could take all of my books and put them in another setting and the stories and characters would still work.
Forsaken Commander, for example, would work in the age of sail, or modern times. It would only require adjustments to who the antagonists are and where they are. For example, they wouldn’t be post-human in the age of sail, but could be another minority group, and the setting could be remote islands instead of planets. The elements of story and character I think would remain the same, because they’re universal.
I create documents that include important elements like a character’s wants and needs, their conflicts (internal and external), how they change as a result of the story, what impact they have on people and the world, and so on. I flesh all this out in advance so I know who they are and how they would react in given situations.
I use a tool called Scrapple to create massive scrap books of character or worldbuilding notes, which then becomes my master reference. After a while, you get to know the characters and settings well enough that it becomes second nature, but just as I like to outline my books in detail, I find that the initial work of piecing the characters together is invaluable.
Inspirations and Influences: What specific works, authors, or real-world events have influenced your approach to writing science fiction, and how do you incorporate these influences into your own unique voice?
I would say that I’ve been most heavily influenced by Star Trek, in particular The Next Generation. I’ve watched pretty much everything from Farscape to Buck Rogers, but TNG sticks with me. I love the camaraderie of the crew, the moral quandaries they face, the impossible odds they always manage to conquer, and the dignity with which they conduct themselves. I think my stories and characters owe a lot to TNG, even if they’re generally darker, grittier and harder-hitting.
In literature, I read a lot of classic sci-fi, and while elements of these 50s, 60s, and 70s novels have aged badly (especially in how they treat women), the stories and characters have stood the test of time.
I love Alfred Bester, for example, and The Stars My Destination and The Demolished Man are books I can re-read over and over again. In terms of modern influences, I think John Scalzi is great. He has great style and humour.
As I write this, I’m currently reading the Silo series by Hugh Howey, after falling in love with the Apple TV show and… wow, wow, wow! What a set of books. Absolutely fantastic stuff. And Hugh Howey is an indie author too, which makes the series all the better in my eyes!
Storytelling Formats: Science fiction can be presented in various formats, from novels to short stories to episodic series. How does the chosen format influence your storytelling, and what advantages or challenges do you find in each?
I like structure and having a plan, so my writing is heavily influenced by the sort of episodic sci-fi shows I grew up watching, such as Star Trek, Babylon 5 and their ilk. I use a three-act structure and think of each book as a ‘season’ in a wider story arc. Each book / season tells its own story, but builds toward an over-arching conclusion.
This allows me to put the foundations in place for long-term storytelling, while ensuring that each book stands alone, and contains all the juicy story beats, tropes and hooks that readers expect and love. Moral Ambiguity: Science fiction often explores moral and ethical ambiguity.
How do you navigate the grey areas of morality in your stories, and do you believe it's important for science fiction to challenge conventional moral perspectives?
Navigating thorny moral and ethical considerations is a common element in all of my books, some more than others. The Omega Taskforce series and its follow up, Descendants of War, cover these aspects perhaps more than in my other series. It’s serious ‘needs of the many outweigh the needs of the few’ stuff.
I love the idea that achieving the best outcome sometimes requires making a truly terrible choice. And I love dark, conflicted characters, who struggle with their own humanity, but are at their core good people. Commander Dalton Reeves from Descendants of War is perhaps my darkest character in this regard. His moral compass points in the right direction, but his dark side and explosive temper can lead him to take extreme measures. You might not agree with what he does, but deep down, you’ll probably cheer him for doing it!
Do the ends justify the means? I let the reader decide!
Technology's Impact on Humanity: How do you explore the transformative effects of technology on humanity, both positive and negative, and what cautionary tales or optimistic visions do you present?
The Aternien Wars series was actually inspired by Elon Musk’s Neurolink chip, and questions of where human augmentation might eventually lead us. We’re just at the beginning of this ‘post-human’ age now, which is scary and exciting.
In this series, post-human experimentation leads to the creation of the god-like leader of the Aterniens, Marcus Aternus, who styles his empire on the myths of ancient Egypt.
I wanted to explore how an advanced, post-human branch of humanity might co-exist with the old-fashioned flesh-and-blood kind. It turns out not so well.
Prejudice and fear of change and technology are central themes throughout the series. In the books the Aterniens are considered perversions of nature and a threat to human purity. It’s because of this that they’re persecuted and exiled, eventually leading to two bloody wars.
The prejudice the Aterniens face is mirrored in the way the central character, Carter Rose, is regarded. As a post-human soldier created to combat the Aternien threat, he’s ironically treated with the same fear and intolerance as the enemy. He’s forsaken by the very people he fights to protect. Real history shows us that soldiers are often treated poorly by the governments who use them, and sometimes even by society, as was the case with those who fought in the Vietnam war, for example.
It’s not a very optimistic vision of the future, but as in all of my books, there are strong themes of hope and redemption, camaraderie and of the value of remaining principled even in the face of extreme adversity and intolerance.
For me, there’s nothing more cathartic than someone overcoming seemingly unconquerable odds to win the day!
What did you enjoy most about working with Tom to design your cover?
It’s a really easy process, which is important when you’re pressed for time, as authors often are. I can describe what I’m looking for, and Tom will nail the brief first time. After that, it’s just about details and revisions to get to a finished cover. It’s a hassle-free process.
Forsaken Commander & Master General - Available on Amazon
Click here to check out Forsaken Commander, the winner of the Kindle Storyteller Award 2023!
Click here to check out Master General, Book 6 in The Aternien Wars Series! Out June 24
Other Genres
Explore a kaleidoscope of creativity with my diverse range of illustrations spanning various genres. From the whimsical to the mysterious, my art captures the essence of storytelling across a spectrum of genres, ensuring there's a visual masterpiece for every narrative.
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Pricing
Discover transparent and flexible pricing for my illustrations that aligns with your creative vision and budget. Whether you're seeking captivating character designs, immersive concept art, or striking logos, find a pricing structure that suits your unique needs.
Professional book covers that captivate your audience don’t have to be complicated. At Tom Edwards Design, I offer clear and transparent pricing for every author’s needs. Whether you’re launching an ebook, preparing a stunning full cover for print, or looking for ultra-wide designs to stand out, my packages ensure premium quality tailored to your vision. Explore the options below and let’s create something extraordinary for your story.
Ebook Cover Design – £800
High-quality, custom ebook cover design tailored for Amazon, Apple Books, Kobo, and more.
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Full Cover Design (Print & Ebook) – £1,000
A complete front, back, and spine design for print and digital use.
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Ultra-Wide Design – £1,200
Perfect for panoramic covers, box sets, banners, or promotional materials.
Includes:
- Everything from Ebook and Full Cover options.
- Ultra-wide composition for enhanced impact.
- Flexible cropping options for various formats.
What’s Included with Every Package
- Initial consultation to understand your book and vision.
- Licensing for commercial use.
- Fast and responsive communication throughout the process.
- NO AI is used in my creation process. You'll receive a completely original and copyrightable cover!
Add-On Options
- Rush delivery (7-day turnaround): Add £200.
- Additional revisions after completion: Price will vary depending on each revision.
- Audiobook conversion: £50
- Hardback PDF: £25
- Extra Paperback formats (Ingram Spark, Lulu, etc) - £10 each
- 3D cover render: £35
- Social media banner (Facebook, X, Instagram): £15 per banner
- Art prints: Price on request
Special Offers for Trilogies and Series
Creating a cohesive look for a trilogy or a longer series is key to building your brand and drawing in loyal readers. If you’re working on a multi-book project, I’d be happy to work out a tailored offer that ensures consistency across all covers while giving you excellent value.
Whether it’s a trilogy or an epic saga, we can discuss a package that fits your needs and brings your series to life. Get in touch to explore your options and start planning your next captivating set of covers!
Author Offers
If you’re a new author or a published author working with me for the first time, be sure to check out my Book Cover Offers page for some great discounts!
Your book deserves a cover that captures its essence and draws readers in. With years of experience in creating eye-catching designs for authors worldwide, I’m here to help bring your vision to life. Ready to get started? Reach out today, and let’s create something unforgettable together.
Character Design
Discover a gallery of compelling characters meticulously brought to life in my character illustrations. Each portrait is a window into unique personalities, stories, and emotions, capturing the essence of diverse worlds and narratives with every stroke.
L. E. Thomas
'I don't remember a time I wasn't interested in storytelling. My earliest memories are of my mother taking me to the library and reading books.'
L.E. Thomas is the creator of the Star Runners Universe. From a young age, he was captivated by tales of brave warriors, futuristic technology, and alien planets. Now, he brings those childhood dreams to life, crafting the kind of books he has always wanted to read. What began as scribbles in a notebook has grown into a vast and immersive universe filled with endless adventures. Readers are invited to embark on thrilling journeys among the stars.
You can find his work here.
The Interview
Your Star Runners series has a high school senior called Austin Stone as one of the main characters. I’m interested if this character is based on anyone you know or your former self?
I originally wrote the book for a young man I was mentoring to encourage him to read more for fun, so he was the original inspiration. However, friends told me Austin Stone is me – especially in the first book. I vividly remember feeling as a high school senior the same way he did about the next step in life, which I am sure we all feel the same when we are about to leave home for the first time. There is uncertainty about that next phase, which is terrifying and only magnified when your friends appear to have it all figured out. I felt the same as Austin.
Why did you choose Tom Edwards Design to create your cover?
I had long admired Tom’s work and visited his excellent website often before I reached out to see if we could work together. I always thought he had a way of creating these imagination-boosting images that made me want to enter them and find out more, which is what great art can accomplish seemingly without effort. Tom does that with every piece of art he produces.
How do you approach designing and portraying your detailed game worlds in your novels?
Great question! In many ways, I have been creating these worlds for nearly thirty years since middle school with my friend C.G. Adams. We created a game called Star Runners, and we spent countless hours dreaming and creating. We never really stopped.
What set Tom apart from other book cover designers you’ve seen or worked with?
I have never had an artist so quickly transform my initial ideas and take them to the next level. I always see what he produced from minimal input from me to create something beyond what I even thought possible. Tom is a gift.
Can you share a bit about your writing process? Do you outline meticulously or let the story unfold as you write? And how does this alter if you’re writing short fiction or series?
I have been a writer my entire life, but my process has evolved. I now write every morning at 4 a.m. It is the best time of the day and my favorite time to create. I do not outline every story beat or character moment, but I like to have a general idea of the story and an overall objective of each chapter. I do that whether writing short fiction or an entire novel or series.
What makes you come back to Tom to design your covers?
Tom’s work has become synonymous with my Star Runners Universe series. From the moment his first cover for my work dropped, and I saw it online, I knew I would keep coming back to him forever. There is something special about his art. It has an X factor that is difficult to describe but comes alive.
Historically, sci-fi is a genre often associated with power and masculinity but it’s great to see other genders in your stories! Was this an intentional choice or something that came about organically through writing?
Thank you so much! It wasn't so much of a choice as I wanted the story to be real for young people reading, who were the target audience. Women have always been an essential part of my life, so I wanted them to be a part of Austin's experience. Doing anything less felt unreal, and I wanted this story to entertain and feel authentic to young readers. As it turned out, many of my favorite characters in the story are women, and many readers worldwide who have been kind enough to write me are women.
What was the best part of working with Tom to design your cover?
The communication and ease with which Tom creates original art are impressive and intoxicating—that is not hyperbole. I also enjoy approving original art and never worrying about Tom using clipart or other images appearing elsewhere. Collaborating on covers can be stressful, but that is never the case with Tom.
How do you keep track of all the details in your world-building to ensure consistency throughout your series?
Another excellent question! I created a series, "wiki," a long time ago and have added to it as time has gone on. It was really important—especially at the beginning—to weave together so many books into the final two of the series.
What was the process of working with Tom on your cover; did you find anything helpful that other illustrators haven’t offered you previously?
I love seeing the first draft and watching the art progress with each round. I enjoy that aspect more than just seeing a final copy to approve.
Have there been any unexpected developments in your stories or characters that surprised even you as the author?
Of course! There have been characters who came out of nowhere and others who played a more significant role than I ever expected. For example, people who have read the first book may be surprised that Bear just appeared at the stairs in my mind the night they all left for their trip. I hadn't planned on him being there, but he appeared as I wrote the scene. He ended up being one of my favorite characters. There have been other scenes I never intended to have or that expanded beyond what I had expected. That's one of many reasons I love writing and never want to outline things too strictly. It destroys the discovery of writing.
What initially sparked your interest in writing, and how did you discover your passion for storytelling?
I don't remember a time I wasn't interested in storytelling. My earliest memories are of my mother taking me to the library and reading books. I was hooked the first time someone liked a short creative essay in school.
Can you describe your typical writing routine? Do you have any specific rituals or habits that help you get into the creative zone?
I struggle to write anytime other than early morning or late at night when the rest of the world is quiet. I also listen to instrumental music while writing and love to daydream on long walks. I cannot write without these ingredients.
What obstacles have you encountered in your writing journey, and how have you overcome them?
Time is always an obstacle. That's why I write early in the morning or late at night. Over the years, I have found that if you really want to be a writer, you will find the time to do it somehow—no matter how many jobs you have! And long walks are key. For some reason, they energize my writing and help me stay motivated.
What advice would you give to aspiring writers who are just starting their journey or facing challenges in their creative pursuits?
Stick with it. If this is what you want, don't listen to anyone else. Write. Write every chance you get. Write. People will love your honesty. People will also hate your writing. Keep pushing. Keep writing. Know that it isn't easy, but nothing worth doing ever is.
Is there anything you would’ve done differently when starting out?
I would have written more sooner rather than waste so much time when I was younger. I also would not have listened to people who told me to focus on "my career" when I hated my day job. I have always loved writing. I haven't always loved my day job.
Can you provide any insights into your upcoming projects? Are there specific themes or ideas that you're excited to explore in your future works?
I will be finishing the Star Runners Universe series and cannot wait to finish the book with another incredible Tom Edwards cover! I hope the book will be released later this year. It's been a long journey, and I cannot wait to conclude the entire series for those who have stayed with me during this journey.
Adrianna J Tetnowski
'The idea of what makes a female character strong is so subjective. I think it’s important to show strengths of different kinds'
Adrianna J. Tetnowski is the author of The Tales of Iradas series, The Mortaery Chronicles, and The Anari duology.
She loves to write dark fantasy novels featuring steadfast heroines and morally grey villains.
You can find more about Adrianna here, along with details about her literary work.
The Interview
Why did you choose Tom Edwards Design to create your cover?
Tom had an amazing portfolio of artwork, and I knew pretty much from the start that he would be able to create a stunning book cover for my debut novel, ‘The Dark Maiden’. Then ten books and three series later, I’m still so impressed with the amazing and professional quality of his work. I’d done a lot of research into cover artists, but his work was always the one I ended up going back to. And I knew I wanted his artwork for the covers of The Tales of Iradas series, The Anari Duology, and The Mortaery Chronicles.
What makes you come back to Tom to design your covers?
Tom has a way of capturing the dark essence of the books I write, and his art style really is stunning. Every book cover he has designed fits so perfectly with each other, and when you put them side by side, these books just look like a series you would want to read. We’ve had so many compliments over the years about our covers, and it’s so great that our readers love them as much as we do.
What was the best part of working with Tom to design your cover?
His attention to detail! He mentioned to us that he loved drawing armour, so naturally when we asked him to design ‘Black Dusk: Flame and Shadows’, the fourth book in my dark fantasy series The Tales of Iradas, he was so excited. And he didn’t disappoint. I love how he sends the artwork in stages – first a rough outline of the cover, and then by the second draft it’s all fleshed out and looks amazing. He somehow manages to take mere descriptions of what I want and completely exceeds my expectations every time.
What impact do you think creating strong female characters in your novels has on the fantasy genre?
The idea of what makes a female character strong is so subjective. I think it’s important to show strengths of different kinds. In The Tales of Iradas, my two female leads – Serendipity and Adelaide Redbane - aren’t fighters, but they’re both clever, resourceful, and steadfast. Meanwhile, in The Anari duology, Ariadna Vikander is an assassin. She can fight, she’s feisty, and she can look after herself when caught up in trouble. Lastly, in The Mortaery Chronicles, Jinx Mortaery is an alchemist. She may not be able to fight either, but she’s cunning and witty. Her strength lies in her knowledge of alchemy, and that makes her more dangerous than any weapon could.
Displaying a variety of different characteristics and skills of female characters is what makes them strong, rather than just sticking them into very specific and typical tropes like only being amazing fighters. I like what varied female characters can bring to my fantasy novels more than just a singular personality ever could, and it makes my books more interesting because of it.
The names of your characters are great! How do you decide on naming them and do their names say something about their personalities?
This is going to sound silly, but I Google names from different countries and either blend them together, or take parts of one and stick it with parts of another. I also try (not always) to give some sort of meaning to my character names. Adelaide Redbane is a princess – Adelaide means ‘noble’. Serendipity is a peasant-turned-lost-princess of Iradas, and one meaning of her name is ‘an unplanned fortunate discovery’. Perhaps my favourite though is Jinx Mortaery, Jinx meaning ‘bad luck’. I had a whole scene in Palace of Ash explaining why her father named her that, and given her rather tragic backstory it fit her perfectly. Plus, if it just sounds cool, then I’m all for it.
Have there been any unexpected developments in your stories or characters that even surprised you as the author?
Ohhhh yes. My sister edits my books, and we had a little laugh about “Hey, we could pull a Marvel with these books”. Then, as my three individual series went on, their storylines ended up merging together perfectly. We jokingly call all three series together under one name, The Tales of The Anari Chronicles. I wrote these books over a period of around twelve years, so this merging of series came as quite a surprise, even to me and my sister, when we realised how perfectly they pieced together.
Can you describe your typical writing routine? Do you have any specific rituals or habits that help you get into the creative zone?
I’ve made a very good habit of starting my writing routine at 5am. I don’t always stick to it, because life gets in the way sometimes, but for the most part, I do. It allows me to get the bulk of my writing done for the day, and I can do it first thing in the morning with a clear mind. I also find mornings peaceful, so that really helps set the mood for writing.
Every book or series I write (and I mean every…single…one) has an individual Spotify playlist. I religiously listen to the specific one for whichever project I’m working on. I even ended up buying a typewriter, something I’ve always dreamed of owning. Recently, switching from writing straight up on my laptop to a tech-free option like that has seriously helped words flow better on a page. Then I just type it all up, editing as I go along.
Many authors write across different genres. How do you decide which genre to explore, and do you find it challenging to switch between them?
I actually find it really helpful to switch up genres, and in fact I work better like that. Writing in different genres gives me the opportunity to rest a bit from one specific category, in this case fantasy, and I end up feeling more enthusiastic whenever I bounce from one to another. 2024 marks the end of The Tales of Iradas, and after twelve years of writing fantasy, I’ve moved on to steampunk and even thriller. But fantasy will always have a place in my heart. I’m excited to work on multiple genres, although I’ll admit thriller was somehow a harder genre for me to get into writing about than fantasy ever was, despite the fact that I do love reading a good thriller.
Can you provide any insights into your upcoming projects?
Are there specific themes or ideas that you're excited to explore in your future works? I’m actually taking a brief hiatus from fantasy, and I’m currently working on a psychological/medical thriller based in an asylum (can you tell I’ve watched American Horror Story?) But 2025 will be the year of steampunk for our imprint, Paper Owl Publishing. We have a new series and a standalone novel in that genre coming that year, as well as the thriller I’ve been working on in 2024. Let’s just say, expect a whole bunch of young misfits with a talent for making illegal weapons in both my upcoming series and standalone novel.
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"You", "Your" refers to you the customer/ user.
"We", "Us", "Our", "Tom Edwards Design" refers to Tom Edwards Design.
"Our Website" refers to this website (demo-tomedwardsdesign.blue-ring.co.uk).
We know that You will want to know exactly what information We gather about You as a user of Our Website, and how We intend to use (and just as importantly, not use) that information.
We will try to keep everything in this document as straightforward as possible, but if there’s anything You don’t understand, please get in touch with Us.
The headings in this Privacy Statement are for convenience only and shall not affect their interpretation.
The masculine shall include the feminine and the neuter and the singular the plural and vice versa.
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Other websites
This Privacy Statement only covers Our Website. Any other websites which may be linked to by Our Website are subject to their own policy, which may differ from Ours.
Changes to our Privacy Statement
This Privacy Statement replaces all previous versions. We reserve the right to change the Privacy Statement at any time.
Fantasy
Embark on a fantastical journey through my enchanting fantasy illustrations, where mythical creatures, magical landscapes, and epic adventures come to life with every stroke of the brush. Immerse yourself in a realm of wonder and imagination, where the extraordinary awaits at every turn.
Meet The Authors
Meet some of the amazing authors I've had the privilege of collaborating with. In this interview series, I delve into their writing processes, influences, inspirations, techniques of worldbuilding, and the advice they have for aspiring writers.
Important Notice
All images copyright Tom Edwards, please see my Copyright Notice for more details.
No AI is used in my creation process 